Marlow Ladies’ “D:e.adlier Dead” Dash: Bond, Martin & Horgan’s S3 Mysteries – The Guest Cameo Sh0cks That’ll Gasp You!

The Marlow Murder Club, UKTV’s cozy crime confection that’s brewed 2.5 million viewers per season since 2023 with its witty whodunits, returns for Season 3 on October 20, 2025, with Samantha Bond, Jo Martin, and Cara Horgan reprising their sleuthing septuagenarians in three “gripping new mysteries” laced with star-studded guest cameos and “gasping” twists that promise to “leave you breathless.” Based on Robert Thorogood’s novels and executive produced by the Death in Paradise alum, the 3-episode arc—filmed in Buckinghamshire’s bucolic backwaters from January to July 2025—stars Bond, 64, as Judith Potts, the retired ad exec whose “deadlier than ever” deductions tangle with Martin’s Suzie Sainsbury, the dog-walker diva, and Horgan’s Polly, the vicar’s widow, unraveling a ripple of regrets where a village fete fatality surfaces as sabotage.

The season’s sinister sip? Spellbinding: Episode 1’s “Fete of Folly” catapults the trio into the fray, a prize pig’s “poisoning” etched with doubt, pulling them into a conspiracy where parishioners conceal crimes and parsons harbor grudges. Bond’s Judith? A “masterclass in mischief,” her wry quips (“Murder’s no mystery—it’s manners”) warping to weary watchfulness, unraveling a ripple of regrets where a curate’s “accident” surfaces as sabotage. Martin’s Suzie? A “vixen of vigilance,” her measured malaprop cracking under the creep of clues. Horgan’s Polly? A “pillar of piety,” her quiet compassion a quiet counter to the chaos. Thorogood’s script quivers with quips – “The Marlow dead don’t rest; they riddle” – but the “brutal” brutality bites: a botched bake-off burial buries a body, a VVIP viper’s venom turns ally to assassin.

The Marlow Murder Club

The “grittier than S2”? Gentle yet gasping: Thorogood’s adaptation amps the “pacy” probe with “spooky” soundscapes and “authentic” accents, the direction a “gripping” gasp of “grim themes” in Buckinghamshire’s “eerie charm.” The Guardian‘s Lucy Mangan raves “very well-made, pacy drama” with Bond’s “reliably likeable” levity; The Independent‘s Ed Power hails Martin’s “Icily Glamorous” iciness and the “understated and spooky” score. Evening Standard‘s Vicky Jessop praises the “overall confidence, style and authenticity.” Skeptics? “Mired in middling,” but the 1-in-2 clue-to-cliff ratio hooks, BARB metrics outgunning The Jetty.

This isn’t whodunit wallpaper; it’s a web-weaving whirlwind, the club’s “deadlier” a dirge for the discerning where fetes fester and funerals flare. Judith’s joust? Jaunty, jagged. The Marlow maze? Mesmerizing. October 20? Not a drop – a deluge. Binge it; the riddles ripple, the revelations rend. Bond’s bite? Breathless. The obsession? Overnight, inescapable.

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